The work focuses on subjective experience in urban and public environment. I use the principle of material and immaterial exchange as a medium for establishing communication, sharing my own thoughts and experiences with strangers who want something from me. I create the audio work from open and immediate communication with the others. The original intention was primarily to relativize subjective diary notes. I let the diary notes read on the street by people who wanted something from me. Gradually, the reflections and experiences of respondents were added to the text. All readings was recorded and then post–produced.

Premedice - Radiocustica, ČRo Vltava, May 29, 2019
Basement Project gallery, Olomouc, May, 2019

Intimate tautology

This was the first exhibition that uses the entire capacity of the bag of the history of the VAK Gallery. It changes the spatial disposition of the object both inside and outside. It denies its functionality, thus shifting it from the position of a “walking” exhibition space to the position of artifact.

VAK Gallery, Brno, May, 2019


The process of a traditional wind instrument inherited from my grandfather.

Stalin, Praha, July 31, 2018
(live concert recording)
Trojka, Brno, August 16, 2018


I recognize Anette through her voice. I observe the character of Anette´s voice through short spoken messages which Anette was sending me during two months. The spoken messages define Anette including fonetic details indicate about her current mood. I have studied these voice characteristics and then wrote a script describing the phenomena taking place in Anette´s speech.

Brno, July, 2018


I let the guests to enter on the opening of exhibition Something for something if they are able to strike me. I refer to the biblical story of Noah´s ARK, a way of selecting survivors who have been privileged to save themselves from the flood. I also point out on invisible rules within certain communities and places.

Kulturák ARCHA, Lubná, April 11, 2018


The composition based on recordings of my temporary masonry work.

January, 2018
(performance recording)


Field recordings of garden, forest and henhouse.
Composition of interconnected sounds from different places.

Lubná, September 2017


Voodoo attempt for cousins fertility.

Cottage, Nové Heřmínovy, August 26, 2017
(performance record)


Opening of the attic above the main ship of the Church of St. Cyril and Methodius in Prostějov.

Všem, Gallery Cyril, Prostějov, May, 2017


Most of church’s choirs adapt the original music Mass to their own interpretation, thus completing certain parts of it and individually changing its character. Interpretation of folk creativity is a material for the composition – orchestra players have chosen the instrument themselves and they recorded own improvisation. Then I composed the song from parts of the recordings. The players then played by the score and folk-finishing the song during the concert.

April, 2017
Všem, Gallery Cyril, Prostějov, May 4, 2017 (live on the footbridge above the church vault)
Zvukové stezky & Magnetické pole, Convent of Saint Agnes in Prague, May 18, 2017 (acousmaticly)


I use the acoustic phenomenon to compose. The sound of acoustic instrument (I.piano, II.zither, III.guitar) is supplemented by electronic additive synthesis which detunes the instrument during the composition. The beats appear across the aliquots when the electronic signal collides with the sound of the instrument in the space. The originally played tone becomes the source of information to expand the space behind it.

January 2017
Odlet III./Noční směna, Cejl, Brno, February 2017 (+vj performance – tso – Markéta Wágnerová, video – Anna Tesařová)
Guitar institut, Brno, April 2017
(performance recordings)


Revival project of the famous Czech’s folk band. Collaboration with my brother Zdešek.

Theater club Polička, November 22, 2016
Church of St. Cyril and Methodius, Prostějov, June 4, 2017
Široký Důl, July 16, 2017
Skalka pub, Lubná, April 7, 2018
Kulturák ARCHA, October 27, 2018
Theater club Polička, December 1, 2018


Henhouse is conceived as a medium for engaging of generations, specifically for author of the henhouse and his grandmother who will initiate him to the principles of care of poultry. The object is designed as a luxury villa for hens as opposed to caged hen breeding and as a metaphor of the social differences of today’s society. A quarter of the henhouse is used as a studio or residential place for public, as an example of the earlier proportional distribution of the residential and farm part of the farmhouses. This simulation of past life at village is transformed into contemporary architectual morphology, which should point out on dying farm tradition of the village, on the coexistence of human with farm animals.

garden, Lubná, May 2016, July, 2017


Drum washer which previously used to for paper pulp washing reminds me ruin of the ancient baths complex. The cylinder set inside this ruin is analoogous to the process of making paper and human cleansing in a thermal spa.
In the opening of the exhibition, the drum served as a podium for Three Cocks.

Project program, DIVUS Perla, Vranné nad Vltavou, April, 2016


The animation was created on base of an improvised spoken fairy tale which I was telling to Eve before sleeping. So only two people had an idea of the fairy tale story in own memory. I tried to create my own idea with animation and sound. Over time and effort to return to partial ideas which emerged at the moment of narration I struggle with modern technologies and memory outages.

March, 2016
Project program, DIVUS Perla, Vranné nad Vltavou, April, 2016
Gallery Monomach, Brno, April, 2016


Participation in the music bands competition for participation on the Poličské Rockoupání Festival.
The Three Cocks and ÖSK bands competed for the last place.
ÖSK lost/won.

Polička's skylark, Theatre club, Polička, January 30, 2016


A fourteen-minutes track captures the ringing of the chapel in the village Lubná. I was making the field recording repeatedly during two months. Then I made the stereo mix from the recordings in such a way that in the left and right channels are different days.

Lubná, January, 2016
HRAna, Gallery Off Format, May, 2017


The live performances of bands from festival Půda were broadcasted without aware of the performers to our studio in other place. We were improvising with ongoing concerts in the studio and made live broadcasting back to the festival.

Festival Půda, Borová u Poličky, October 10, 2015


Temporary conversion and cleansing the space within theater festival. Before the opening a prayer was given and the interior was smoked by incense.

Festival Momentum, Theatre club, Polička, March, 2015


Projection of underwater world cuttings from Youtube to plastic / wall.

Environment of former warehouses - music festival Půda, Borová u Poličky, November 7, 2014


Space on the surface/podium/sculpture. Week of cohabitation at three different places.

Synsky´s pond in Polička, Milovy´s pond, meadow in Borová u Poličky, July, 2013
Cooperation: Martin Karel Klusoň, Tomáš Paclík